Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Eastman Johnson
A Ride for Liberty-The Fugitive Slaves

ID: 49324

Eastman Johnson A Ride for Liberty-The Fugitive Slaves
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Eastman Johnson A Ride for Liberty-The Fugitive Slaves


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Eastman Johnson

American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects  Related Paintings of Eastman Johnson :. | Union Soldiers Accepting a Drink | The Boy Lincoln | Das Ahornzucker-Larger | The Girl I left behind me | Das Madchen,das ich Zurucklieb |
Related Artists:
Thure de Thulstrup
Famous for paintings of American colonial life. American , 1848-1930
Hendrick van Balen the Elder
painted The Wedding of Thetis and Perseus with Apollo and the Concert of the Muses, or The Feast of the Gods in ca. 1618
Pavel Filonov
1883-1941 Pavel Filonov Locations Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.






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